(Dis)possessed gestures and know-how

Appropriation of gestures and know-how
(Dis)possessed gestures and know-how
Vol. 52, 2022/1 - 240 pages
Pages 5 to 17

Introduction

By Arnaud Dubois, Céline Rosselin-Bareille
Pages 18 to 35

Afro hair and “the natural hair movement”: a reappropriated gesture?

By Daphné Bédinadé
Pages 37 to 50

Exhibition and visibility of technical gestures. The case of marble craftsmanship in Tinos

By Inés Moreno
Pages 51 to 66

Retention or transmission of know-how in West Sahara (Mauriania, Western Sahara)? Between a heritage “emergency”, social emancipation and national sovereignty

By Sébastien Boulay
Pages 67 to 76

Sensitive chords. In and out of tune on violin making’s know-how during fieldwork

By Baptiste Buob
Pages 77 to 90

When companies appropriate know-how: recourse to the law and appropriation

By Christian Bessy
Pages 91 to 106

“A Wikipedia of lightweight backpacking”: Open-access know-how in an online community of practice

By Eric Boutroy
Pages 107 to 124

Waste Picking in Morocco Valuing Bodies, (Discarded) Objects and Savoir-faire

By Anna Karin Giannotta
Pages 125 to 141

The glassmaker’s gesture, the clinking of bangles, and the burning of flesh. The value of know-how, power relations, and the quest for independence among the Shishgarh of Firozabad

By Arnaud Kaba
Pages 143 to 157

(De)possession and (in)visibility. The digital metamorphosis of knowledge and skills training in the Swiss timber construction industry

By Hervé Munz
Pages 159 to 172

The weaver and the machine. The transmission of know-how and gestures in art textile factories

By Flavia Carraro

Further reading

Pages 173 to 175

Baptiste Bacot, Clément Canonne (eds.), Musi[ha]cking : Ce que la musique fait au hacking (et inversement), Volume ! La revue des musiques populaires (16 : 1), 2020

By Marie-Christine Bureau
Pages 175 to 177

Anthea Kraut, Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance, Oxford, Oxford University Press, 2015, 336 pp.

By Sarah Andrieu
Pages 177 to 179

Gabriel Galvez-Behar, Posséder la science. La propriété scientifique au temps du capitalisme industriel, Paris, Éditions de l’EHESS, 2020, 334 pp.

By Nicolas Chachereau
Pages 179 to 181

Horst Bredekamp, Irene Brückle, Paul Needham (eds.), SNML. Anatomie d’une contrefaçon [translated from English by Christophe Lucchese and Arnaud Baignot], Brussels, Zones Sensibles, Brill, 2020, 144 pp., 120 color ill.

By Mathieu Quet

Varia

Pages 183 to 198

Between needles and pins: becoming Gavroche

By Jérôme Beauchez
Pages 199 to 213

“Releasable”. The ordinary expression of a release from juvenile prison

By Laurent Solini

Reviews

Pages 215 to 221

Christopher Small, Musiquer. Le sens de l’expérience musicale [translated from English by Jedediah Sklower, foreword by Antoine Hennion] Paris, Philarmonie de Paris Éditions, (1998) 2019, 441 pages.

By Laurent Legrain
Pages 221 to 224

Frédérique Fogel, Parenté sans papiers La Roche-sur-Yon, Éditions Dépaysage, préface de François Héran, 2019, 303 pages.

By par Martine Segalen
Pages 224 to 226

Serge Chaumier, Jean-Claude Duclos (eds.), Georges Henri Rivière, une muséologie humaniste, Paris, Éditions Complicités, 2019, 362 pages.

By Laurent Sébastien Fournier
Pages 226 to 229

Germain Viatte (ed.), Georges Henri Rivière. Voir c’est comprendre Marseille, MuCEM/Réunion des musées nationaux, 2018, 304 pages

By François Hubert
Pages 229 to 231

Thomas Parker, Le Goût du terroir. Histoire d’une idée française, Rennes, Presses universitaires de Rennes, collection “Table des hommes”, 2017, 260 pages. [Translation of: Tasting the French Terroir. History of an Idea, Berkeley, University of California Press, 2015]

By Alexandra Hondermarck, et Élias Burgel
Pages 231 to 233

Bernard Hours, Monique Selim, L’Empire de la morale, Paris, L’Harmattan, coll. “Anthropologie critique”, 2020, 224 pages.

By Noël Jouenne